WESCHLER: Taking it one step further, I would also argue that this is the moment when art starts being art as opposed to being science. For all of your claims that the old man and the woman should be read principally iconographically — that they represent this or they represent that and so forth — there are times when a …
An alternative candidate for Disegno?
It is by no means clear whether the figure of Disegno in the Linder gallery is intended to be generic or a specific portrait. Michael John has suggested Kepler as a possible candidate – which is certainly plausible, although I have yet to be convinced of the similarity between known portraits of Kepler and the features of the Linder gallery figure, …
Cornelis Drebbel’s Perpetuum Mobile in the Linder Gallery
The Perpetuum Mobile, a machine which can just be made out in the shadowy right background of the Linder Gallery (no. 43 in the zoomable image), is not the only invention of Cornelis Drebbel (1572-1633), nor perhaps even the most significant, but it is certainly the one for which he was best known by his contemporaries, and the one of …
Iconoclasm in the Linder Gallery?
In the lunette above the window out over the garden in the Linder Gallery you can make out some people with donkeys’ heads engaged in wanton acts of destruction. They are smashing lutes and globes and removing paintings from the wall.
Drawing and Painting? Art and Science?
The foreground of the Linder Gallery is dominated by two figures, a bearded old man and a young woman in classical clothing reclining in his lap. Whereas the male figure appears to be a portrait, the female figure seems to be purely allegorical. The paintbrushes, maulstick and artist’s pallete would suggest that she can be identified as Painting, or perhaps …
The Caravaggio Letter: Eyewitness account of the Linder Gallery?
There is an intriguing letter in the university library of Urbino recently uncovered by Alexander Marr that provides a direct eyewitness account of the Linder Gallery from shortly after its creation. It was sent in March 1629 by an engineer, Giovanni Battista Caravaggio to his mathematical tutor, Mutio Oddi, describing a visit to the house of the German merchant Peter …
Kepler in the Linder Gallery?
Three books can be seen to the right of the celestial globe in the Linder Gallery. From the bottom they are the HARMONICES MUNDI or Harmonies of the World (1619) and the TABULAE RUDOLPHINAE or Rudolphine Tables (1627) by the German astronomer Johannes Kepler.
Muzio Oddi and the Linder Gallery
The sole surviving piece of textual evidence that sheds light on the Linder gallery interior is a letter, sent on 28 March 1629, from the architect-engineer Giovanni Battista Caravaggio to his former tutor in mathematics, Mutio Oddi of Urbino. In the letter, Caravaggio (then in Milan) mentions a visit to their friend Pieter Linder, a German merchant who had also …
The Windsor Drawing: A Sketch for the Linder Gallery?
The Royal Collection in Windsor Castle contains a drawing (RL 12983) showing the interior of a picture gallery that bears a striking resemblance to the Linder Gallery, showing a similar architectural space. There are some key differences though. For example, the ceiling of the space in the Windsor drawing is flat, and there is a door on the left hand …
A possible self-portrait?
There is no signature on the Linder Gallery, but on the red table on the right hand side of the painting is a small double-portrait. The portrait shows two men, a bearded man pointing at a drawing and the other, younger man looking at the drawing and painting. On close inspection of the drawing it can be seen that it …